After three years in development, Xfer Records has at last released its eagerly awaited wavetable synthesiser, and a quick glance at the feature list makes it apparent that Serum (VST/AU/AAX) represents an earnest attempt to produce nothing less than the world’s most advanced instrument of its kind.

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For starters, fancy software engineering techniques have been employed to create oscillators that produce inaudible amounts of aliasing (the inharmonic artifacts that can occur in digital audio).

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The result is that Serum’s oscillators sound cleaner and slightly brighter than what we’re used to hearing from synth plugins. It’s most noticeable when playing high-pitched parts, immediately setting it apart from everything else on the market.

The A and B oscillators are built around the most advanced wavetable engine we’ve ever seen. You get a 2D waveform view by default, but clicking it reveals a beautiful 3D wavetable display that indicates the current wave cycle, or ‘frame’.

Waveforms can be blended statically or dynamically using regular crossfading or harmonic/spectral morphing, the latter mutating from one to the next by adapting the level and phase of individual frequencies.

You can import your own audio to create custom wavetables, but Serum has a full-spec wavetable editor built in to cater for the more hardcore user.

Under the ‘table

The wavetable editor enables you to manipulate the waveform on a graph display using an assortment of tools that vaguely remind us of the Performer in NI Massive, although with very different results, of course.

Alternatively, you can edit the waveform by adjusting frequencies on an additive graph (similar to that of Camel Audio Alchemy), or process/generate it using preset functions and mathematical formulae.

There are more editing options than we can possibly cover here in full, which is an ongoing theme with Serum – Xfer seems to have thought of everything, or at least made its best effort to.

A third oscillator is on hand in the shape of the sub generator (although it can be transposed up or down by four octaves, so the name is a bit of an understatement), which sports six basic waveforms.

The noise generator is in fact a stereo sample player, pre-loaded with every flavour of noise you’re likely to need. These include basic white noise variations as well as output noise sampled from classic hardware synths, and some ‘otherworldly’ alternatives.

The noise generator can run looped or in one-shot mode, so it’s ideal for synthesising percussion instruments – it even comes with a selection of drum kit sounds and a very handy set of kick drum transients; and you can also import your own waves.

The filter module takes its list of types from Xfer Records’ LFOtool and so includes a good variety of the usual analogue-style models (low- high- and band-pass, and notch) alongside a variety of combs, flangers and phasers, not to mention ring modulation, formant filter, sample- and-hold and various more esoteric types.

Modulation is handled by an intuitive drag-and-drop system, similar to that of Massive, but with a 32-slot mod matrix letting you see everything in one place, and advanced features such as user-editable curves and an auxiliary ‘via’ source for each slot.

In terms of modulation sources, there are three AHDSR envelopes and four LFOs shaped using the same refined LFO editor found in LFOtool. The LFOs also feature an envelope mode for building complex, multi-stage envelopes, and four macros are in place for bringing multiple parameters under unified control.

Two Chaos modulation sources can be configured in the global tab, too. These are largely intended to help invoke analogue-style nonlinearities, and they do that well, but you’ll find plenty of creative uses for them beyond that.

Visual treats

The whole Serum interface is alive with animated visualisations that make it easy to see what’s modulating what – from dots that move on envelopes as they’re triggered, to oscillator waveforms that twist and warp as they evolve.

One of the most interesting visualisations is that of the unison function found on Oscillators A and B, which gives a representation of how many voices are stacked (from 2-16), as well as their relative volume levels and detune positions.

The unison feature reminds us of Synapse Audio’s Dune 2, and like that synth, Serum offers a selection of five stacking modes, including “Super”, which appears to replicate the supersaw unison found on Roland’s classic JP-8000.

This sounds huge, but you may find that playing chords with heavy unison really starts to burden your CPU – an issue that Dune 2 doesn’t suffer from. Serum’s oscillators are dramatically cleaner-sounding, though, and you can take the default 4x oversampling down to 2x if more notes or instances is your priority (or, indeed, go up to 8x if fidelity is your priority).

A shot in the arm

We’ve only just scratched the surface of Serum here, which has so many deep and advanced features in its locker that we couldn’t possibly hope to fully convey everything it can do in just two pages.

This is a must-have instrument for the serious sound designer, although even preset junkies will be thrilled with the 450+ excellent factory patches. We’re not being overdramatic when we say that it’s quite possibly the most sonically versatile synth we’ve ever used, and certainly one of the best sounding.

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Xfer Records is a plugin company founded by composer, producer and plugin designer, Steve Duda. It’s gained a reputation for thinking outside of the box in terms of conception and development, releasing some of the most technically useful and abundantly creative plugins on the market – one look at their innovative Serum synthesizer or their acclaimed LFO Tool and you’ll know exactly what we mean. In addition to their current paid offerings, Xfer Records features a collection of free plugins that embody the same level of quality and attention to sonic detail as their other tools.

Here we’ve compiled the top 5 free Xfer Records plugins among Splice users and created a demonstration project to showcase some of their uses and capabilities. Sign up for Splice to download the free plugins here – then access the full project below and discover some of the ways that they can enhance your creative process and streamline your workflow.

Dimension Expander

Xfer Records Dimension Expander is a fairly unique sounding spatial expander that’s modeled on chorusing effects from the late 80’s. It splits the incoming signal in to four parts, flips the phase of two of them, and then delays them. Simplicity is the name of the game here – you can apply Dimension Expander to nearly any track you’d like to achieve greater stereo spread and enhanced width.

• In Session: “Dimension Expander is perfect for spreading a primary sound out and making it seem huge, but can also be used more subtly on effects tracks and background noises. For this session we used it on the Lazer Sample track to make it echo and splash a bit, automating the WET/DRY control all the way from 0% to 100% as the track progresses.”

OTT

Xfer Records OTT is a re-creation of a popular aggressive multiband upwards/downwards compressor set-up used by many dubstep and electro producers. It features a DEPTH control to scale the amount of compression applied and a TIME control to scale both the attack and release times of all bands. This can be very useful for finalizing an entire mix without the need for much tweaking.

• In Session: “Xfer Records OTT sounds amazing on the master channel strip. We put an instance of it right before the limiter, adjusted the OUT GAIN a bit, and were instantly satisfied by how it made the track pump and growl slightly.”

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DJM Filter

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Xfer Records DJM Filter provides a DJM-900 filter emulation in a dual LOWPASS/HIGHPASS filter module – all in one slick control that sounds great and can easily be automated through your DAW or mapped to any MIDI controller.

• In Session: “The DJM Filter is just what it sounds like – a sweet recreation of one of the best DJ filters ever. We used it at the very beginning of the track as a lowpass filter to make the track seem like it was coming out of nowhere.”

MIDI Shift Array

Xfer Records MIDI Shift Arraycan be thought of as an arpeggiator – a device that receives incoming MIDI notes and disperses them, spreading them out and then automatically retriggering them at user-determined intervals. While MIDI Shift Array can certainly achieve this, its real strengths lie in its ability to interject elements of polyphonic randomness in to the process. This is a great way to come up with new ideas or for creating textures that are a bit chaotic.

• In Session: “MIDI Shift Array can do some very interesting things to otherwise static MIDI. Here we routed it to the Piano track – it instantly took a boring melody and shook things up a bit to give it some movement and flavor.”

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8-Bit Shaper

Xfer Records 8-Bit Shaper processes the incoming audio signal and reduces it to 8-bits. It then induces a waveshaper stage with optional pre and post filtering to allow for even further coloration of the signal. The WET/DRY control and the free-drawing graph allow you to control the amount of processing that occurs and then blend it back in with the original audio.

• In Session: “Xfer Records 8-Bit Shaper is a beast. We added just a little bit to the Bass track and it instantly gave it mid-range crunch and presence.”

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March 2, 2015